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Her legacy, and what she sacrificed her life for, is extremely impactful on the characters, reminding them why they fight and what they aspire towards. What works particularly well is a tribute to Laurel Lance/Black Canary with the unveiling of a statue constructed in her memory. Inevitably, though, they find themselves drawn back in to the world that they know best. Additionally, across the board the performances are strong, showing characters painfully grappling with their pasts while trying to chart new paths as they go forward. In terms of action, a hand-held and more urgent editing approach makes the fight sequences visceral, serving as an effective contrast to obviously choreographed fights of the past couple of years.
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This despite the fact it’s becoming increasingly obvious that he desperately needs help on the streets. Concurrently with the rise in crime has come the arrival of vigilantes inspired by Green Arrow, but lacking his discipline and experience, leading Oliver to try and shut them down. He also partakes in violence that in some ways seems to have been inspired by what Marvel has been able to do over at Netflix. He exudes a determination to prove his worth and consolidate power by taking down Green Arrow. Coleman, a veteran of The Walking Dead, deserves credit for making the character, despite appearances to the contrary, a physical force and mind to be reckoned with. Only Oliver remains vigilant as Star City’s protector, serving the city by day as mayor and by night as Green Arrow, and steadfast in his belief - despite evidence to the contrary - that the team will indeed come back together.įive months have passed since the season four finale, and the streets are becoming more crowded with gangsters, who have returned to power, most notably in the form of the Russian mob as well as Chad L. Thea is trying to live a normal life (working in the mayor’s office), Diggle has returned to the military to escape the guilt of having killed his own brother Laurel is gone, murdered at the hands of Darhk in year four Quentin, mourning the death of Laurel and the break-up with Felicity’s mother, has crawled back into a bottle and found comfort there and Felicity, while still serving as “Overwatch,” is finding new romance with police officer Billy Malone. It was that moment that seems to have set the stage for year five.
THE CAST OF ARROW SEASON 1 CODE
Magic and underground cities became the norm, and it wasn’t until the very last moments, when Oliver, recognizing the limitations his code of non-killing had placed on him, ended the threat of Darhk permanently. Indeed, season four was filled with a plethora of larger than life elements, among them Neal McDonough’s Damien Darhk and Matt Ryan’s guest starring turn as John Constantine.
THE CAST OF ARROW SEASON 1 SERIES
Oliver Queen is having a difficult time getting past the events of season four, but, thankfully, Arrow as a series isn’t having the same problem, given the fifth season premiere.įrom the moment Barry Allen and The Flash were introduced on the show, Arrow found it increasingly difficult to hew to the series’ own roots of being the grounded, more gritty primetime superhero.